Ryukyu Kingdom

by Kenta Takeshige

The Okinawa Islands, located at the southernmost tip of Japan, share a history of 500 years of the Ryukyu dynasty. They have formed a distinctive lacquer art culture through the combination of steering the balance with the national powers of China and Japan on one hand and actively incorporating different cultures and technologies by trade with other Asian countries on the other. In Ryukyu, the royal government organization set up the Kaizuri Magistrate's Office to provide production quality control for lacquerware.

Ryukyu lacquer techniques

Ryukyu lacquer art specializes in the Mother-of-Pearl technique called "Somata". Only the beautiful part of the natural color of the shell pieces are used, and the entire pattern is expressed with shell scraped thin. Gold leaf and color are applied at the back of the thin shell to develop colors other than natural colors. In the days Somata was actively produced, gold and silver metal sheet was used together with shell pieces. Somata was also exported to China and Korea, and influenced Ming, Qing, and Joseon's Mother-of-Pearl technique.

Another characteristic technique of Ryukyu lacquer art is called "Tsuikin". Mix lacquer and pigment, and knead it thinly like pizza dough. Cut out the pattern from this dough and fix it on the lacquer surface.